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New and Selected Poems: The Expat’s Fiance

“Horror is partial, it keeps you going”

–Rita Dove

He’s proof that angels sweat

and make fat promises

in child-like English

She keeps twisting her oversized diamond

then minces toward the ladies room

on the highest of heels

tries to ignore the ghostly make-up

on the woman in the mirror

(dead to her father,

a disappointment to her mother)

and her weary looks of disdain

American Poet in China,American Professor in China,China Expat,China Expats,Heartsongs,Intercultural Issues

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Found and Still Lost

I first met Shannon during a poetry reading shortly after my first book came out some two decades ago. I later reviewed her first collection of verse and stayed in touch through the years with the sexy, sassy, southern and broadly gifted artist. I last saw Shannon on a business trip down south in the 90’s. She was showing signs of some encroaching malady and I heard people whispering “anorexia,” “bulimia,” “drugs” and worse about the quirky, but elegantly well-centered soul who loved Carrie Bradshaw-ish designer shoes–when her face was not spackled with paint.

She was having slight difficulty with her walking, talking and balance and I missed many of the clues as we were then in the midst of pulling off a daring PR stunt to try and rescue her from impending financial hardship. She faced a huge bill for unsold pottery and jewelry shortly after her boyfriend, who ran a large and lucrative rep’ group that also sold her art, “wandered a bit” and quit selling her work shortly after she left him a permanent stray “on account of his infidelity.”

She lamented to me one day that she wished she could rid herself of a conscience so she could hand the bank note, half owned by her ex-boyfriend, back to the vindictive philanderer. I suggested we sell her conscience on EBay with a certificate of authenticity neatly folded inside a jeweled bag she would design. EBay tolerated the ruse long enough for Shannon to receive calls from morning drive shows and newspapers worldwide–the BBC in Dublin found it particularly amusing. I do not remember how successful we were, but I remember how much fun we had during her 15 minutes of fame. And, for the record, I doubt she would have really abandoned her conscience to a stranger for something as cheap as revenge.

Shannon eventually righted herself  all but physically. The last note I received from her said she had been confined to a wheelchair and was learning to perform simple, everyday tasks again. But, phone numbers no longer worked and emails bounced back to me. I had lost her and on top of the guilt we wandering expats feel when those we love are far away and in trouble, I feared for the worst–despite knowing that she would be no easy match for the brain tumor the doctors could not operate to remove.

This week I found an obscure reference to her on the 9thstlab Blog. It was poetry about her condition that was written by her while in a hospital in Alabama. The poems are from 2007, but I strongly sense she is alive and fighting well somewhere south of the Mason-Dixon line.

she has always been open, public and unabashed about her situations in life, good and worrisome. so, I wanted to share the work I found, but am hoping that if she reads this that I do not end up the reason for a new sale item on an auction site for IP theft of her poetry ;-).

It is powerful stuff Ms Smith and deserves to be read, as much as you deserve health and happiness.

From the blog:

Shannon Smith is a visual artist living in Birmingham Alabama. Recently she was diagnosed with AVM – Arterio veinous malformations, a rare form of brain tumor. In Shannon’s case the tumor is inoperable. The treatment for the embolism is even more painful than the tumor itself. The combination of illness and treatment has rendered her unable to work in her usual mediums, but she has been strong enough to write poetry about her experience. She is under the care of physicians at the medical center at the University of Alabama in Birmingham – a research hospital and one of the best in the country.

TWELVE BLANKETS FOR MY BRAIN

After the surgeons have
rearranged my head,
they become concerned
about my body temperature
at eighty six degrees. It is strange,
because I do not feel cold, only empty.
Nurses bring one blanket after another
wrapping me up tightly. I feel warm
but trapped and weighted down like
swimming with my clothes and shoes on.

Two more blankets
added to the pile-
Now I am just tangled like
A fish in a fishing net not knowing which way is up
or out. My voice trapped under layers of thick cotton.
And when I reach the numeric definition of normal, I do
not feel different or normal, mostly just trapped.
Tucked in, but no bedtime story.
I picture myself escaping from the hospital;
sliding in my socks on the shiny floors,
running down the halls,
riding elevators ,
waving to other patients.
My blankets alone in a pile on the floor.

LOOKING FOR WHAT IS LEFT

The darkness is back,
hovering over this crumpled body
where waves of pain call home.
The blackness has become opaque now
Not even outlines of the everyday.

Morphine, Fetanyl, Sekanol- hello lovers.
I hide as I swallow nails.
The shutters bang against windows.
It is too late for prayer.
Lightning cracks the night sky
shattering my skull
on the zipper of scars,
one stitch at a time.

Sleep will never find me here.
The warden of pain shakes his keys
at my cage. These are not the tears of heartbreak-
much too salty, much too free.

This darkness is heavy and suffocating
like a fishing net with weights.
If I am here tomorrow,
I will go look for myself
kicking bones out of the way,
to see what is left

Shannon Smith

Much love from China, SSlola

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New and Selected Poems: “After Being Asked” and “Soundtrack”

When I passed through LAX customs yesterday I was asked the same question I suppose the immigration folks are trained to ask in cases like mine: “Why have you been in China so long?” Each time I have to resist the urge to render witty or acerbic comebacks–especially after 17 hours of travel next to some high-strung, dialect-limited Chinese emigrant from Guangxi on his first plane flight. But, I digress…

My answer must seem odd to those civil servants who used to hearing one-word responses like: “Business,” Visit,” Coming home,”  or “Job Hunting.” I reply, “fulfilling a promise. I am seeing someone through a long bout with cancer.”

Ms Yue has outlived many of her chemotherapy friends. If you knew her, you’d understand that her natural talent for befriending anyone, from the local trash collector to a head of security in her district, ensures that there are never strangers in her life. She had met them in the hospital annex next to where where she had her surgery performed. She is the last of the League of extraordinary Chinese as I came to call them. They learned from Yue how to embrace the life left to them with meditation, companionship, spiritual supplications and long conversation and rich laughter over inexpensive cups of Chinese tea.

SOUNDTRACK

I am still listening

When the agitated syncope

Of thready heartbeats

Stop to amass a clap of thunder

Over crashing surf

And you fight the waves of fear

With a hand forged sword

And exhausted share tales of battle

With those who subside on phone calls

And weekend visits from half-hearted

Familial warriors lightly anchored to love

And when your body betrays you

In the ravenous silence

And you think you are

One impossibly simple syllable

Short  of a symphony

Remember the lullabies of the past

Conduct them into the present

Lay awash in the fragile swells of hesitancy

Compose mysterious reconciliations

And keep faith in the God of the metronome

Your friends are lucky to have you

Disarmed and hardly replenished

By the convenient half-loves

To which even tender siblings retreat

You survive by teaching through example

How to keep faith in wellness

And the will of the tides

The gift or accident of nature

That gave you ears for

And a comradery with

The roiling, the murmurs, the sobs

And the wicked playfulness of the ocean

And the weather it dares to rebuke…

for W.L. and Ms Yue

Ms Yue has long hidden her illness from Chinese friends. They are not as open about discussing cancer or life threatening disease like westerners. So, when it became evident that she would have do something cosmetically reduce the impact of the uneven loss of her hair and the endless looks of strangers afraid to ask why…

AFTER BEING ASKED TO CUT HER HAIR

When you called, yesterday evening

or the night before, I made the long walk

to you through the thick heat of Southern China,

flanked by our prostitute of a River:

Beautiful after dark, but only when flattered

by the exploitative light of tourist boats

I hated China that night

I found it especially hard to breathe:

It is always damned humid

and it reeks of smoke and poverty

and in the dim daylight reveals

a blinded sun, Guangzhou’s grey cataract

of a sky that, when it can see, ignores the whore–

the river again–

whose name no one can speak

with any longing in their voice

The water was unlined that night:

a corpse without worry as I prepared

a place in my memory

for what I would destroy perhaps forever:

the hair: forty-five years

of silk, glistening with the kisses

of an adoring mother and vigilant father

times in a China no longer missed

by those who have come to this low-waisted city

to find work and forget the darkeness

in which their friends, awake with temptation

in the darkness of their ancestral homes

just grow into unadorned

albeit long, and painless seniority

You asked to me conceal the evidence

of the waning of the infinite. You told me to cut

because I am foreign, from the west,

and know how to use a razor

to shave away history:

the perfect blackness, the magnificent

mystery of the history of moonlights, fires,

and wind that has run fingers

through the remembered and forgotten

“Love is so short, forgetting so long”

when it is a name like yours,

that you clutch deep in your throat

As strong as you are

will always be, and as proudly high

as have always held your head,

the quarrel with your body,

said the doctor–a white coated immigrant

from the North like yourself and too polite

to tell you or your family–the quarrel

will not always look this well

I addressed my selfish sorrow

in suffocated sobs to the still water

that confirmed my questions with silence

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New and Selected Poems “The Strike”

The Strike

(work in progress: for CD)

At bat is the son of a pro

who looks as though he never leaves

the batter’s box without a hit

Cody is pitching his first inning:

a long shadow of an arm

opens its small hand

and sends a dark disc speeding

over the flat stretch toward home

“Strike One”

Only the next fastball breathes

in the agonizing heat

and fathers close their eyes

conferring with fragments of the future

in the only game that will somehow ever matter

“Strike Two”

There are three sounds you can hear

if you listen closely–It’s never

that  restrained at a Cubs game

It is the sound of a perfect fastball

released across the long barrier

of years from mound to plate

and the impossible difference

between the home run clap of a bat

and the sting and leather slap of an out

It’s the umpire waiting

on the one authoritative second

when he’ll shout as witness and judge

a life-changing verdict

American Poet in China

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Stone Pillow: New and Collected Poems: “Apertures”

I was just looking at Flickr photos that I snapped during a trip to Lanzhou in Gansu Province, China. It has been a couple of years since I took what was a life changing journey over the Yellow River and along the Silk Road. Gansu is the China I most love–sorry Guangzhou–with its dozens of ethnic groups. Despite its terrific poverty it is with rife with Confucian, Taoist and rich Buddhist temple bells and beautiful, delicate relics from Qing, Ming and Sui dynasties; and many of them can be found only a few meters from each other. And then there are the dozens of poems cradled in the giant Buddha’s arms and a countryside recites them in a different voice every spectacular season.

The pictures called to mind a poem I wrote a few years ago about how love for a person or place remains perfect, and  young even as we move through our inescapable developmental phases.

Apertures

I was just looking

through a photo album

one of those musty, three-tiered

prison blocks full of parents

slowly leaning away from each other

and children running at a standstill:

escaping more perfunctory poses.

There is one of you

just after I read you that poem

by another writer

about a woman

with your votive smile, inner nakedness

and a mid-afternoon firestorm in her hair

that he wished he had touched.

He told me once, his faced engraved

with regret, that he visits her often now,

though he didn’t attend the funeral.

When we first met

I heard

still hear your body

moving under your clothes:

the long felt silence of a temple bell.

Behind you, curtains were whispering

like nylons.

Why is it

that we capture ourselves

sometimes forever

in a flat semblance of the truth?

It is why

in pictures of me I am alone

standing outside my heart

with nothing for me to compare

until the day I’m holding you,

in a portrait with more

than a passion of intention,

and with a look as serious as a kiss.

American Professor in China,China Expat,Chinese Monks,Confucius Slept Here,Gansu,Heartsongs,Lanzhou,love,Personal Notes,Photos,Poetry,Stone Pillow,Travel in China,中国

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Stone Pillow: New and Selected Poems

The only Photograph of Her Affair


Her husband believes it’s a mistake

Yet wonders why she holds on

To what appears to be nothing

More than a tree, small bit of sky

And a tangle of shadows below.

She tells him an unconscious bump

Must have snapped the shutter

On what could be

morning or evening anywhere

Women are vigilant

and men so quickly distracted

She believes he’ll never know

That her lover is near

And she sits, back against a plum tree

With a flower print skirt

Tucked between white thighs,

Soft blonde threads glistening

With dew, and a delirious heat rising

from the tender grass below

There were tiny birds above

Deep in an anarchy of leaves

And limbs. And hungry mouths

Made small cries. The unmistakable

Sounds of dawn or dusk.

–Lonnie Hodge

American Poet in China,Poetry,Stone Pillow,Uncategorized

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Stone Pillow: New and Collected Poems 1994-2009

When poetry gets under your skin,even the breaking of daily bread becomes a nuisance until you get to paper and pen or a computer keyboard. To keep from going completely mad, I have decided to publish, between the usual stammering blog epistles from China, 70 of those nagging poems: some soaked in long shadows, a few needing work and hanging out in shivering constellations ahead of me, and a several new transcriptions of old voices that were drowned out by fear, silenced by critique (academics, out of habit can deconstruct an ego right along with a good piece of writing)  or those that I poorly deciphered  and committed to paper because I was an inexperienced translator of my own heart….

When I have them all placed here on OMBW, I will order them into as cohesive a collection as the myriad experiences of my life these past few years will allow and then offer them to you as a PDF. But, first things first: I just have to get them down on virtual paper. I hope you don’t mind.

I will start with one that some of you may have read before:  It is a poem that I first wrote to explain how I feel about a profession that has nourished me for three decades and was inspired in part by a visit to the Appalachian Mountains with three writing teachers on a retreat where where I finally really understood the quote by Jacques Barzu:In teaching you cannot see the fruit of a day’s work.  It is invisible and remains so, maybe for twenty years.” He was talking about students and teachers…

Teaching

I want to be witches knees and elbows:
roots just barely visible enough above the ground
to stumble into a child’s imagination forever.

I want to be a breeze blowing through
a community of Aspen trees–barely forceful enough
to waken leaves, while not quieting the birds

I want to be the loneliness in the center of a Chinese Fiscus seed
dropped from some kid’s pocket at the Colorado Sand Dunes,
and everyone guessing how it is I came to be there.

American Poet in China,Poetry,Stone Pillow

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